#LE VERNISSAGE FRENCH TO ENGLISH SERIES#
The project includes artistic workshops and a series of lectures, as well as an important pedagogical program with French and Luxembourgish schools.
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At the same time, the artist and choreographer will extend part of the ECCE HOMO project to our partners at the Kaunas Ninth Fort Museum, a place where thousands of Jews and political prisoners were executed during the Nazi occupation, thus creating a link between Esch, Thil and Kaunas. But they also approach their intrinsic corollary: strength, physical and mental resilience, human dignity.Īlso part of the project are various interventions by Bruce Clarke and Tebby Ramasike on the French territory of Esch2022, such as the commemorative mural "Les Limbes de Thil", created by Bruce Clarke at the entrance of the Tiercelet mine in Thil (F) and numerous performances by Tebby Ramasike that will take place there in the coming months, and at the museum in Esch.
![le vernissage french to english le vernissage french to english](https://static.mediapart.fr/etmagine/default/files/2020/02/07/flyer-vernissage-2.jpg)
They create links with forced displacement, exile and migration. The artists thematize the consequences of wars, crimes against humanity and genocide on people, invoking victims, suffering, deportation, and destruction. Many critics came to the vernissage to see the artist's work. n Plusieurs critiques sont venus au vernissage pour voir le travail de l'artiste. He touched up the coating on the old table. The performance creates a physical dialogue with the plastic works. Dictionary (French) vernissage noun, masculine n Il a retouch le vernissage de la vieille table. It is punctuated by the Butō dance performance THE WRECKAGE OF MY FLESH, by the Tebby Ramasike collective. The exhibition, hosted at the National Museum of Resistance and Human Rights in Esch-sur-Alzette from September to December 2022, is part of a current of critical figuration. Marina Lambraki Plaka, director of the National Gallery–Alexandros Soutzos Museum, Athens Anastasia Lazaridou, director of Archaeological Museums, Exhibitions and Educational Programmes, Hellenic Ministry of Culture and Sports, Athens Jean-Luc Martinez, president-director of the Musée du Louvre, assisted by Débora Guillon.ECCE HOMO is a project centered around an installation of paintings and sculptures by Bruce Clarke. The great Universal Exhibitions of the late 19th century presented a new Greek art clearly influenced by the country’s Byzantine and Orthodox identity.
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The excavations at Delos, Delphi and the Acropolis uncovered a colourful Greece very different from the neoclassical ideal. This exhibition is a first attempt to cross reference the history of archaeology with the development of the Greek state and modern Greek art.
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The preservation of the Greek national heritage – aided by the creation of European archaeological institutes such as the French School of Athens, founded in 1846 – revolutionised knowledge of Greece’s material past. The young Greek state, influenced by the German and French presence on its territory, based its modern cultural identity on French and German neoclassicism. Liberated in 1829, Greece declared Athens its capital in 1834. The Greek War of Independence in 1821 was supported militarily and financially by parts of Europe and generated considerable popular enthusiasm. In the 17th and 18th centuries, the ambassadors who visited Greece on their way to the ‘Sublime Porte’ discovered an Ottoman province that fascinated artists and intellectuals. The exhibition, organised on the occasion of the bicentenary of the 1821 Greek Revolution, aims to highlight the links between Greece and European culture, with a particular focus on the relations between Paris and Athens.